my book: Mei 2014

Sabtu, 31 Mei 2014

[C607.Ebook] PDF Ebook The Oxford Frederick Douglass Reader, by Frederick Douglass

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The Oxford Frederick Douglass Reader collects in one volume the most outstanding and representative work from Frederick Douglass's fifty-year writing career, including all the major genres in which he worked: autobiography, journalism, oratory, and fiction. The Reader contains the following classic texts in their entirety: the landmark fugitive slave narrative Narrative of the Life of Frederick Douglass, An American Slave (1845); the consummate anti-slavery oration "What To the Slave Is the Fourth of July?" (1852); the pioneering novella The Heroic Slave (1853); and the magisterial analysis of lynching Lessons of the Hour (1894). Generous selections from Douglass's second autobiography, My Bondage and My Freedom (1855), illustrate his boldly revisionist personal and political agenda, while major chapters from both the 1881 and the 1892 editions of the final autobiography, Life and Times of Frederick Douglass, reveal the author's perspective on his own successes and his estimate of the nation's progress on the racial front in the post-war era. Also included are notable examples of Douglass's journalism, in which he advocated women's rights and black enlistment in the Civil War. In addition, the private as well as the public Douglass finds a voice in the Reader, as he responds to criticism of his decision to choose a white woman as his second wife and also discloses his carefully guarded views of religion through a little-known 1886 letter.
Editor William L. Andrews has provided an introduction and headnotes that give basic, accessible information regarding Douglass's life, writing purposes, and the reception of his texts, offering a thoughtful review of the crucial developments in Douglass's multiple careers as autobiographer, journalist, lecturer, and racial spokesman. The Oxford Frederick Douglass Reader provides students and readers with the most complete, diverse, and personally revealing record available of nineteenth-century black America's most celebrated writer.

Sales Rank: #294708 in Books
Published on: 1996-01-18
Original language: English
Number of items: 1
Dimensions: 6.10" h x .94" w x 9.15" l, 1.20 pounds
Binding: Paperback
384 pages

Review
"The most comprehensive collection on Douglass."--Iyunolu Osagie, Penn State

"A splendid, comprehensive anthology that contains the essential Douglass."--Robert E. Morsberger, California State Polytechnic University

"A comprehensive selection of Douglass' works...the volume provides an excellent overview of Douglass' career, and the chronology and introductory material also seem quite useful."--David M. Robinson, Oregon State University

"A most valuable and accessible volume--the best Douglass on the market for generalists. Excellent selection. Thanks for large type and generous spacing."--Agnes M. Jackson, The Claremont Colleges

"These are troubled times for black and white Americans, and Frederick Douglass's is a voice that needs to be heard. William Andrews' fine collection will ensure that Douglass again commands attention."--William S. McFeely, author of Frederick Douglass

"An excellent text."--Kay Rout, Michigan State University

From the Back Cover
The Oxford Frederick Douglass Reader collects in one volume the most outstanding and representative work of Frederick Douglass's fifty-year writing career, including all the major genres in which he worked: autobiography, journalism, oratory, and fiction. The Reader contains the following classic texts in their entirety: the landmark fugitive slave narrative Narrative of the Life of Frederick Douglass, An American Slave (1845); the consummate antislavery oration "What To The Slave Is The Fourth of July?" (1852); the pioneering novella The Heroic Slave (1853); and the magisterial analysis of lynching The Lessons of the Hour (1894). Generous selections from Douglass's second autobiography, My Bondage and My Freedom (1855), illustrate his boldly revisionist personal and political agenda, while major chapters from both the 1881 and the 1892 editions of the final autobiography, Life and Times of Frederick Douglass, reveal the author's perspective on his own successes and his estimate of the nation's progress on the racial front in the post-war era. Also included are notable examples of Douglass's journalism, in which he advocated women's rights and black enlistment in the Civil War. In addition, the private as well as the public Douglass finds a voice in the Reader, as he responds to criticism of his decision to choose a white woman as his second wife and also discloses his carefully guarded views of religion through a little-known 1886 letter. Editor William L. Andrews has provided an introduction and headnotes that give basic, accessible information regarding Douglass's life, writing purposes, and the reception of his texts, offering a thoughtful review of the crucial developments inDouglass's multiple careers as autobiographer, journalist, lecturer, and racial spokesman. The Oxford Frederick Douglass Reader provides students and readers with the most complete, diverse, and personally revealing record available of nineteenth-century black America's most celebrated writer.

About the Author
William L. Andrews is at University of Kansas.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Beautiful Writing
By Cassandra Solis
This was a wonderfully edited version of some of the best writing Douglass ever wrote. The introduction is excellent and the intros to the excerpts of some of his letters and editorials are very informative. One of the best Frederick Douglass books I have ever read.

0 of 0 people found the following review helpful.
Among the great American writers
By L. Hachero
The Frederick Douglass Reader is a powerful statement in many ways. The first chapter (The Narrative of the Life of Frederick Douglass) addresses the concept of "the land of the free and the home of the brave," or, as some critics would say, "the land of the free and the home of the slave." But this is not just another slave narrative or an escape-from-slavery story. This is a magnificently-written autobiography, composed by someone who taught himself to read and write and then later used those skills to escape from the chains of American slavery. The other chapters are writings and speeches, one of which concerns women's rights. Another, the text of his most famous speech, is entitled, "What to a Slave is the Fourth of July?" All in all, this is a book that every American should own. The first chapter, printed by itself in other editions, is a book every American should read.

0 of 0 people found the following review helpful.
Excellent collection of Douglass's classic texts
By Anonymous
Excellent collection of Douglass's classic texts, with introduction to each. The collection includes: "Narrative of the Life..." (1845), "What To the Slave Is the Fourth of July," and his novella, ""The Heroic Slave," among other significant writings. Douglass mastered rhetoric and symbolism, with a unique style that reads clear and powerful as a great oration.

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[B767.Ebook] Free Ebook Giovanni's Room, by James Baldwin

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Published on: 2012
Binding: Paperback

Most helpful customer reviews

94 of 99 people found the following review helpful.
A visit to the wine cellar for a vintage wine
By Grady Harp
Now and then it is healthy and rewarding AND enlightening to revisit some of the books in our libraries that are time-tested, durable pinnacles of literature. Such is the case of opening the cover of James Baldwin's inimitable, cherished novel GIOVANNI'S ROOM. Baldwin died in Paris in 1987 after gifting us with great novels and strong social commmentary. It is only fitting to return to the Paris of this wonderfully rich novel when the need to reflect on how writers of stature had the courage to begin the genre of novels dealing with same sex relationships in a manner of pure literature.
GIOVANNI'S ROOM is a fluid, nonlinear exploration of alienation: the narrator is living in Paris (having escaped the US with the smilingly shallow American image descried by Parisians), heads toward a "comfortably normal courtship/engagement" with a very normal fellow American girl also living in Paris/Spain, and quite by accident encounters his repressed sexual self when he meets Giovanni, an expatriated Italian. The subcultures Baldwin details are palpably present on every page - many characters seem like enemies until their roles in the journey of these two men unfold and clarify. The title of the book is well chosen: Giovanni's room which he shares with David our narrator is claustrophobic, unkempt, dour, and threatening - an apt description of the mental environment this stumbling act of finding a new type of love creates. Baldwin lets us know from the start that we are entering a doomed affair of the heart and it is this atmospheric, eloquently written memoir that adds to the sense of the inevitable isolation that makes this a great novel.
Enough cannot be said about the beauty of Baldwin's prose, the richness of his terse description of the city of Paris, his uncanny ability to paint characters that are wholly three-dimensional. This book merits frequent re-visits. It is a rare vintage wine.

39 of 41 people found the following review helpful.
"Nobody can stay in the Garden of Eden": Reflection on Life One Evening
By vabookreader
James Baldwin's _Giovanni's Room_ (1956) is a challenging work of literature that explores a summer in the life of an expatriate named David who is living in Paris after World War II. David must come to terms with his own contradictory desires. David's life in Paris in the 1950s--where homosexuality, while not illegal, is stigmatized--affords him a certain amount of space to discover what he wants and what he can accept. His dilemma, on the surface, can be stated simply: he is passionately in love with a young Italian man, Giovanni, yet he is also engaged to Hella, an American woman with whom he can live, on the surface, a "socially acceptable" life. On a deeper level, the novel is a study of the loneliness that comes with an absence of self-acceptance.

David shares many characteristics with Ernest Hemingway's young, expatriate anti-hero Jake Barnes in _The Sun Also Rises_. In David, Baldwin has created a character who remains, ostensibly, detached from the world, which lends to his anti-hero a veneer of invincibility and hard assurance. There are a number of passages, especially intimate scenes, described from a mechanical third-person point of view. Giovanni at one point asks David, "Do you know how you feel? Do you feel? What do you feel?" to which David replies, "I feel nothing now, nothing." David's inability or unwillingness to be honest about his feelings, however, undermines his relationships with others and his sense of self, and ultimately leaves him profoundly alone.

The novel suggests, more hopefully, that the loss of innocence, if accepted, can be the beginning of a journey that leads to knowledge. The novel takes place as a flashback over the course of one evening in a rented house in the south of France before David will take a train back to Paris the next morning. Drinking by himself in the large, empty house and looking at a window, David recalls this statement from an acquaintance named Jacques: "Nobody can stay in the Garden of Eden." This is an idea which frames the novel and perhaps offers David one way to understand his life.

A few final notes: The final paragraph of the novel is incredible, suggesting how actions, despite our most earnest hopes when we have erred, stay with us. All of the descriptions of Giovanni's room are artistic and reflect David's psychology. The novel portrays a cruel side of Paris (a characteristic, I think, which all large cities share to some degree), where lives on the margins are often bought and sold, and where there can be a calculated indifference to suffering.

This is a riveting work of literature that has many levels of meaning.

40 of 44 people found the following review helpful.
Incomparable and Beautiful
By Alexandra Fortuna
James Baldwin is, without a doubt, one of the most eloquent and talented authors that I have ever been exposed to. In his novel, Giovanni�s Room, Baldwin explores the struggle between a man and his sexuality. Torn between his feelings for another man and another woman, we are taken through David�s journey of joy, love, anger, pain, and confusion. Through secrets and lies, the story unfolds, teaching that there are no excuses when it comes to real love.
This is by far one of the most beautifully written books I have ever read. Each sentence leaves you with a good taste in your mouth. Baldwin�s passion and power in writing is proved clearly all throughout the book. His word choice and sentence development is absolutely wonderfully printed, that each page simply flows one after the other. His ability to develop and express each character�s thoughts keeps the reader wholly engaged; feeling attached to their personal dilemmas. At the end of the book, you are left with the feeling of complete satisfaction. Although this is a story of a gay man�s struggle, it is a story that affects everyone regardless his or hers sexuality. Everyone who has ever been found in a conflict with themselves will discover that this book will touch the hearts, leaving the longing to come in touch with their true self. Anyone who has been caught between desire and morality will relate and find that this book captures the genuine feelings of that difficult and tense struggle.

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Rabu, 28 Mei 2014

[S648.Ebook] Download PDF Give Us the Ballot: The Modern Struggle for Voting Rights in America, by Ari Berman

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A National Book Critics Circle Award Finalist, Nonfiction

Named a Notable Book of the Year by
The New York Times Book Review and The Washington Post

Named a Best Book of the Year by
NPR, The Boston Globe, and Kirkus Reviews (Best Nonfiction)

Countless books have been written about the civil rights movement, but far less attention has been paid to what happened after the dramatic passage of the Voting Rights Act in 1965 and the turbulent forces it unleashed. In this groundbreaking narrative history, Ari Berman charts both the transformation of American democracy under the VRA and the counterrevolution that has sought to limit it from the moment the act was signed into law. The VRA is widely regarded as the crowning achievement of the civil rights movement, and yet―more than fifty years later―the battles over race, representation, and political power continue, as lawmakers devise new strategies to keep minorities out of the voting booth, while the Supreme Court has declared a key part of the Voting Rights Act unconstitutional.

Through meticulous research, in-depth interviews, and incisive on-the-ground reporting, Give Us the Ballot offers the first comprehensive history of its kind, and provides new insight into one of the most vital political and civil rights issues of our time.

Sales Rank: #13657 in Books
Published on: 2016-08-02
Released on: 2016-08-02
Original language: English
Number of items: 1
Dimensions: 8.24" h x .4" w x 5.55" l, .0 pounds
Binding: Paperback
384 pages

Review

“An engrossing narrative history . . . Berman vividly shows that the power to define the scope of voting rights in America has shifted from Congress to the courts.” ―Jeffrey Rosen, The New York Times Book Review (Editor's Choice)

“[Give Us The Ballot] should become a primer for every American, but especially for congressional lawmakers and staffers, because it so capably describes the intricate interplay between grass-roots activism and the halls of Congress . . . Congress must fix the Voting Rights Act, and Berman’s book explains why, without passion or favoritism. It is the first history of the contemporary voting rights movement in the United States. It is long overdue, but Berman’s extensive reporting makes it well worth the wait.” ―John Lewis, The Washington Post

“Ari Berman’s important recent book, Give Us the Ballot, explores the struggle over voting rights unleashed by the civil-rights revolution, and how it continues to this day . . . Berman has performed a valuable public service by illuminating this history.” ―Eric Foner, The Nation

“Fifty years after passage of the Voting Rights Act, Give Us the Ballot makes a powerful case that voting rights are under assault in 21st century America. Current events underscore the book's timeliness.” ―Wendy Smith, The Los Angeles Times

“Ari Berman’s Give Us the Ballot, a history of the 1965 Voting Rights Act, makes for an excellent extended example of the mechanisms by which race in the South becomes race in the nation.” ―Nicholas Lemann, The New Yorker

“An urgent, moving, deeply important history of the modern right to vote in the United States” ―Michael O'Donnell, The Christian Science Monitor

“Comprehensive . . . The value of Give Us the Ballot lies in illustrating that the [Voting Rights Act] has never been universally accepted . . . Ari Berman convincingly shows that the fight for voting rights is far from over.” ―Jordan Michael Smith, The Boston Globe

“An extremely valuable and terribly timely history of the Voting Rights Act . . . Berman deftly weaves together the politics, the intellectual and legal arguments, the legislative battles, the counterrevolutionary schemes, and the tragic and ironic turns in the story.” ―Harvey J. Kaye, The Daily Beast

“Illuminating . . . Give Us the Ballot is a smart compendium of election "reforms." Berman removes the facade of intellectual honesty--where voting-rights opponents even bothered to make an argument--and lays bare the many, many ways to game the outcome of an election.” ―Scott Porch, The Chicago Tribune

“The voting rights struggle of the 1960s produced several moments that remain seared in the nation’s memory . . . Ari Berman tells the story of these stirring moments, and tells it well. But unlike many civil rights chronicles, his account begins rather than ends in the 1960s. Via a series of vivid anecdotes, he describes the tumultuous history of the Voting Rights Act (VRA) from its enactment all the way to the present day. It’s an important and absorbing tale.”
―Nicholas Stephanopoulos, The New Rambler

“Berman's reporting is expertly balanced.” ―Walton Muyumba, The Dallas Morning News

“Just in time for the 50th anniversary of the Voting Rights Act comes this deep dive into the legacy of the civil rights movement and why we're still fighting for the right for everyone to have a slice of the political power pie.” ―Lara Zarum, The Village Voice

“The Voting Rights Act was signed into law 50 years ago, but according to journalist Berman, the fight for equality in voting is still taking place” ―The Los Angeles Times

“Ari Berman's Give Us the Ballot explains that the VRA's 50 years have seen great gains but also consistent opposition. The specifics may have changed. The campaign to suppress turnout among minorities has not . . . Read Give Us the Ballot.” ―Richmond Times-Dispatch

“Ari Berman's Give Us the Ballot is a fascinating, if also infuriating, chronicle of the modern era in voting rights - a time when those hard-won rights are suddenly in great jeopardy. Comprehensive, fair-minded and wise, the book tells a haunting story of rights won and rights lost.” ―Jeffrey Toobin, author of The Oath and The Nine

“Ari Berman's Give us the Ballot is a must read for anyone who cares about the health of American democracy. Written with a deep respect for history, a keen journalistic sensibility, and a visceral passion for fairness, Berman's book takes us on a swift and critical journey through the last fifty years of voting in America. He begins on the Edmund Pettus bridge with the foot soldiers of Selma and concludes in the rotunda of the North Carolina statehouse with the protestors of Moral Mondays. All the critical figures of American voting rights appear in this book, but Berman allows no one story to dominate the narrative. His book is about the people, the ballot box, and our as yet unrealized ideal of fully free and fair elections. We have not yet arrived at the healthy democracy the 1965 Voting Rights Act promises is possible, but we have not given up hope. The struggle continues.” ―Melissa Harris-Perry, host of MSNBC's Melissa-Harris Perry Show and Presidential Professor of Politics and International Studies at Wake Forest University

“Expertly taking us from the bloody streets of Selma to the current counterrevolution against the voting rights of black and poor Americans, Ari Berman reminds us that democracy can never be taken for granted, especially at a time when the courts are more than willing to abet efforts to limit the right to vote.” ―Eric Foner, author of Gateway to Freedom

“Ari Berman has written a powerful history of the massive struggle that has taken place since 1965 over the survival of the Voting Rights Act. Berman reveals that from the moment Congress passed the landmark bill, opponents mobilized to dismantle it. The ongoing and sustained assaults on this historic legislation finally started to find success during the 1980s when opponents directed their efforts to the courts. This is a terrific, though troubling, read about the future of American democracy.” ―Julian E. Zelizer, author of The Fierce Urgency of Now: Lyndon Johnson, Congress, and the Battle for the Great Society

“Berman does a superb job of making the history of the right to vote in America not only easily understandable, but riveting...This is the best kind of popular history-literate, passionate, and persuasive, balancing detail with accessibility.” ―Publishers Weekly, starred review

“[I]ncisive... This emotional book runs the gamut... Not just a compelling history, but a cry for help in the recurring struggle to gain what is supposed to be an inalienable right.” ―Kirkus, starred review

About the Author
Ari Berman is a political correspondent for The Nation and an investigative journalism Fellow at the Nation Institute. His writing has also appeared in The New York Times and Rolling Stone, and he is a frequent commentator on MSNBC and NPR. His first book, Herding Donkeys: The Fight to Rebuild the Democratic Party and Reshape American Politics, was published in 2010. He lives in New York City.

Most helpful customer reviews

13 of 13 people found the following review helpful.
A powerful and provocative look at attempts to limit the right to vote
By Mr. Michael C. Morrow
This book provides a superb history of the events leading to the Voting Rights Act, and the history of the impact of the Voting Rights Act, including countless efforts to limit the voting or impact of minority voters. The book also makes clear that the impetus behind voter fraud concerns and restrictions on early voting and registration is really an attempt to limit the voting of the poor and minority voters. Royal Masset, the former executive director of the Texas Republican party said that "anyone who says that a lack of voter ID won't discriminate against otherwise legal minority voters is lying" and said voter ID laws were "sheer racism" designed to suppress Democratic voters (at 259-260). Cutbacks in early voting hours were defended by the Republican party chair in Ohio who said we "shouldn't contort the voting process to accommodate the urban-read African-American-voter-turnout machine" (at 264).

6 of 6 people found the following review helpful.
easy to read
By Larry Chroman
I really enjoyed reading Give Us The Ballot. Berman brought the subject of voting rights with all its historic, legal, racial, human, and political implications to life through the stories of the people whose votes were denied, made difficult, or deliberately weakened.

Weaving the story of John Lewis, the great civil rights leader throughout the account created an element that connected me into the struggle, victories, and defeats of voting rights. Understanding the role Chief Justice John Roberts has played in the Voting Rights struggle was new information for me.

This book was an easy, engaging read which helped me develop a better understanding and deeper appreciation for the issue of Voting Rights. I highly recommend this book.

3 of 3 people found the following review helpful.
A riveting book
By Jon Hunt
Ari Berman's recent book, "Give Us the Ballot", is a tour de force when it comes to describing how the Voting Rights Act of 1965 became law and the desperate and vicious attacks since then on that law. It's no surprise that southern states, long in their own history of violence and voter suppression, figure heavily here. It's a shameful record.

While events leading up to the passage of the Voting Rights Act are well documented and narrated by the author, the real interest for me as a reader is what has happened since. The book really begins to crackle when Berman describes the 2000 presidential election and the mischief that occurred in Florida. Leave it to misfits like Katherine Harris to disregard the votes of so many Floridians. Yet unbelievably, it is Chief Justice John Roberts who leads the charge as protagonist to new voting restrictions. Through purges in voter rolls and new restrictions on voter ID and early voting, reading this book makes one think that all or most of the progress that has been made since 1965 has been lost. When Moral Monday protests occurred in North Carolina in 2014 a prescient sign reading "Welcome to North Carolina/turn your watch back 50 years" provided an accurate feeling of how so few in southern state legislatures can cause so much damage in such a short space of time.

"Give Us the Ballot" is an exceptionally well-crafted and documented book. The personal stories of many voters who were not allowed to register and/or vote are presented here and their reflections are all too sad... and yet for them, necessary to be related to readers. I highly recommend "Give Us the Ballot" because it tells the story of how a great country of ours can be reduced by those people in power who can't see the forest for the trees."

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[F865.Ebook] Ebook Download Environmental Management in Organizations: The IEMA Handbook, by John Brady, Alison Ebbage, Ruth Lunn

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Environmental issues can present some daunting operational concerns for all types of organization, whether in the private, public and voluntary sectors. Managing them requires environmental professionals with a working knowledge of the rapidly developing body of regulatory measures.

This new edition of Environmental Management in Organizations provides all the management tools, performance measures and communication strategies that organizations need to manage their environmental responsibilities effectively. Leading experts on each topic provide focused explanations and clear practical guidance, as well as setting out the context and the key environmental and management drivers.

This edition significantly updates the original handbook to take account of developments in the environmental agenda, including new dedicated chapters on climate change, energy, transport, biodiversity and chemicals. Published with IEMA.

Sales Rank: #3361827 in Books
Published on: 2011-06-24
Original language: English
Number of items: 1
Dimensions: 9.50" h x 1.90" w x 6.70" l, 2.60 pounds
Binding: Hardcover
608 pages

Review

'This second edition of the handbook is most welcome. It brings the whole subject up to date and remains an indispensable reference and toolkit for environmental practitioners. It sets out the issues and context, and provides practical guidance for understanding and tackling environmental management effectively. It will be invaluable for anyone seeking to become a Chartered Environmentalist.'

John Gregory, Chair, Society for the Environment

About the Author

Dr. John Brady was until 2010 the managing editor and publisher of 'the environmentalist' magazine. He has published widely on engineering and environmental issues and brings his extensive knowledge to the work of Consilience Media and this handbook. Prior to this he was Group Environmental Director of Northumbrian Water and Chair of IEMA

Alison Ebbage was Commissioning Editor of 'the environmentalist' until the end of 2010. She now works on a freelance basis for Consilience Media. Alison has a wealth of journalistic experience with a background in economics, finance, investment and wealth management. She has written in a freelance capacity for most of the broadsheets as well as more specialist trade publications

Ruth Lunn has worked for Consilience Media since August 2005, first as Deputy Editor of 'the environmentalist' and then as its Editor. She has a supervisory role with other titles produced by Consilience Media and editorial material for the company's digital media offerings. Prior to this she was a marketing officer for Newcastle College and a Director and account manager for Newgate Communications

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Selasa, 27 Mei 2014

[C617.Ebook] Download Summers Under the Tamarind Tree: Recipes & Memories from Pakistan, by Sumayya Usmani

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Summers Under The Tamarind Tree is a contemporary Pakistani cookbook celebrating the varied, exciting and often-overlooked cuisine of a beautiful country. In it, former City lawyer turned food writer and cookery teacher Sumayya Usmani captures the rich and aromatic pleasure of Pakistani cooking through more than 100 recipes. She also celebrates the heritage and traditions of her home country and looks back on a happy childhood spent in the kitchen with her grandmother and mother.

Pakistani food is full of flavour. With a rich coastline, the country enjoys spiced seafood and amazing fish dishes; while borders with Iran and Afghanistan mean strong Arabic influences in the food, alongside Indian and Far East Asian flavours. Sumayya brings these together beautifully showcasing the exotic yet achievable recipes of Pakistan.

Sales Rank: #79803 in Books
Published on: 2016-04-07
Original language: English
Number of items: 1
Dimensions: 10.00" h x 1.00" w x 8.00" l, .0 pounds
Binding: Hardcover
224 pages

Review

"Beautifully written and photographed, this collection of more than 100 family recipes will inspire you to open up the spice cabinet and make something brand-new." - FoodRepublic.com

About the Author
SUMAYYA USMANI is a writer and cookery teacher based in London, specialising in the cuisine of Pakistan. She teaches Pakistani cookery at various schools across the country including Divertimenti, Sophie Grigson Cookery School and School of Wok.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Wah Wah! (thats Hindi for Bravo!)
By icujock
What a delightful cookbook!
Pakistani food is closely related ( or can be considered a variant of the 'Indian cuisine') to Indian food. Pakistani food, IMHO, has strong overtones of Mughal, Afghani culture. Ms Usmani does this cuisine a big favor by simplifying the cooking/ tenderizing techniques. I love Pakistani food-when I can get my hands of some. Pakistani food gets conflated with Indian and the results are not the same. Her side notes and anecdotes are just as delightful and it shows that this book is a labor of love for the author. Great Job!

1 of 2 people found the following review helpful.
A fascinating book
By Kate Runyan
Summers under the Tamarind Tree is loaded with very interesting recipes slightly different than the Indian food we're used to eating, and some beautiful photographs. We enjoyed our first Pakistani dinner from the book last night, the Ginger Chicken, the Watermelon / mint and Daikon Salad etc. everything was delicious and healthy.

1 of 2 people found the following review helpful.
Fantastic!
By srq-traveler
I have loved Sumayya's blog and am thrilled to have her cookbook. I have already cooked several recipes and they were all great. I also appreciate her providing some background about Pakistani cooking. It is a rich cooking heritage but doesn't get the acclaim that Indian cooking does.

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[V720.Ebook] PDF Ebook The School for Good and Evil: The Ever Never Handbook, by Soman Chainani

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Wish you could go to the School for Good and Evil? Now you can! Join the ranks of heroes and villains who have walked these hallowed halls and mastered what it takes to be placed in their own fairy tales with The Ever Never Handbook.

Soman Chainani’s New York Times bestselling series (The School for Good and Evil, A World Without Princes, and The Last Ever After) comes to life in this handbook full of everything students need to learn in order to survive their own fairy tale—from dress codes and school rules to alumni portraits, kingdom maps, and much, much more.

Every year, students flock to the School for Good and Evil, ready to prepare for life in a fairy tale. The highest-ranked students become the heroes and villains of the fairy tales, while the lowest end up enchanted animals or plants (if they’re lucky, that is).

This handbook is a personal guide to help students to the top of their class—from surviving Uglification, to picking your own sidekick or henchman, to earning a part in the yearly school musical, and so much more. And of course, it’s in glorious full color and duotone because in the School for Good and Evil, very little is black-and-white.

Sales Rank: #16071 in Books
Published on: 2016-07-12
Released on: 2016-07-12
Original language: English
Number of items: 1
Dimensions: 8.25" h x .98" w x 5.50" l, .0 pounds
Binding: Hardcover
304 pages

From the Back Cover

Welcome to the School for Good and Evil! The greatest of heroes and villains have come through our classrooms before they ventured into the Endless Woods to find their stories . . . and now you will join their ranks.

Use this handbook as a guide to help you navigate through your years at school. Everything you need is inside: what to bring, what to wear, and most importantly, how to stay out of the Doom Room. Here, you’ll learn about your classes, meet your professors, and get an inside look at our first-year traditions like the Trial by Tale, the Circus of Talents, and the Snow Ball. And should you need advice, you won’t have to look far for role models: our most illustrious alumni are here to help

Evs and Nevs! Forget this official stuff—I’ll tell you everything you really need to know to survive and all the good stuff the teachers won’t tell you.. Plus, I have the secret scoop on Sophie, Agatha, and Tedros. . . .

Meet me inside!—Hester

Experience the School for Good and Evil like never before with this must-have companion to the bestselling series. Glorious illustrations invite you to pore over maps, see characters for the first time, and get an inside look at what it’s like to be a student at the most enchanted school of all.

About the Author

Soman Chainani’s first novel, The School for Good and Evil, debuted on the New York Times bestseller list, as did each of its two sequels, A World Without Princes and The Last Ever After. The series has been translated into over twenty languages across six continents and will soon be a major motion picture from Universal Pictures.

As a graduate of Harvard University and Columbia University’s MFA Film Program, Soman has made films that have played at over 150 festivals around the world, and his writing awards include the Sun Valley Writers’ Fellowship.

When he’s not telling stories or teaching in New York City, Soman is a die-hard tennis player who never lost a first-round match for ten years . . . until he started writing The School for Good and Evil. Now he loses all the time.

You can visit Soman at www.somanchainani.net.

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1 of 1 people found the following review helpful.
Loved it!!!
By traci tempesta
My 11 year old loved it. After reading this she went back and read the series again!

5 of 6 people found the following review helpful.
AN ENTHUSIASTIC REVIEW OF THE EVER NEVER HANDBOOK
By William Pasquale
**THIS IS ELLIE’S SPOILER-FILLED RAMBLE SO**

**BEWARE**

**THERE ARE TONS OF SPOILERS AHEAD**

**READ AT YOUR OWN RISK**

**NO, BUT SERIOUSLY**

**DON’T GO ON IF YOU HAVEN’T READ THE HANDBOOK**

**THIS IS YOUR LAST CHANCE TO TURN BACK**

**I’M NOT KIDDING**

**OKAY, DON’T SAY I DIDN’T WARN YOU**

Oh. My. Goodness.
I recently finished The Ever Never Handbook, and I’m still grinning like a total dufus. The book, engulfed in vibrant color and bursting with a familiar sort of magic, completely blew me and my (rather high) expectations away. I’d anticipated this novel so much over the past year I was a little nervous I would somehow be disappointed by it because of how much I built it up in my head, but I was

so wrong

.
Michael Blank’s illustrations are jaw-dropping and absolutely gorgeous. The student portraits inked out the characters I’d spent years imagining on my own and GOSH were they beautiful and perfect. The picture of Sophie’s new School For Evil actually made me gasp because the color practically glowed on the page. The illustration of Tedros’ arrow nearly piercing Agatha was definitely one of my favorites, depicting a moment from book 1 that really stayed with me the past couple years. The pictures of Nymphs, Fairies, Crogs, Spiricks, and Stymphs were spellbinding, terrifying, and whimsical all at once. Oh, and how on earth could one forget the GLORIOUS comic strip portions written by Hort? I could so easily imagine him writing and drawing every part of it, and it made me giggle so terribly hard.
And in addition to the lovely art, Soman’s--and Ami’s--writing was simply AMAZING. I’ve never been so captivated by a Course Catalog! The FAQ section was so exciting and humorous, and having Hester shove letters between the pages was such a clever idea. It was also a bit relatable, since I have an awful habit of slipping important notes, permission slips, and study guides into my books. “An Ever Never Roundtable” was SO. FREAKING. GOOD. I felt as if I were meeting up with a group of old friends as I heard them banter back and forth. It reminded me how much each character has grown through the series and honestly why I love each one. I never expected the Handbook to make me emotional… but it did. Quite a lot.
Now my copy is adorned with various small post-it-note sort of contraptions, marking some of my favorite parts. They include things like the hilarious idea of someone possibly using the storian as liquid eyeliner *cough SOPHIE cough* and the supossed Into The Woods reference when Sophie saids “Greens. Greens. Nothing but greens,” (pg. 137). Not to mention when Sophie guessed I was Agatha in a quiz or her perfect song “Some Girls”. Oh, and the AWESOME part where not only did Agatha write to Hester, but also reveal in her letter that she, Tedros, and Sophie were frequently corresponding. What about when Sophie admitted to Hort she remembered their dance or when Tedros perfectly explained how he and Agatha wouldn’t be having kids anytime soon? What a relief. Oh, and the explosive discovery that a new student named Nicola will soon be arriving to the schools, unaware she’s destined to save them? Couldthispossiblybetheplotofthesecretbook?
Overall, I experienced a rollercoaster of emotions today and am so grateful I got to. To Soman Chainani, Ami Boghani, and Michael Blank--thank you. Thank you

much for creating such a wonderful book and such an magical world your readers can immerse themselves in. I could never imagine my life without the SGE series or the awesome community behind it.
-Ellie

2 of 2 people found the following review helpful.
Awesome!!!!!!
By Gabie Kim♥books
I loved it!!!! Really loved it. The perfection! The handbook is nothing you will expect. The color, portraits, the heroes' whereabouts, humorous FAQs, uniform through the ages and more! And I think it gives a little hint about the new-top-secret-series (if my guess is right). Much better than I EVER expected. Even the back cover is interesting. We can even read about the Ever-Never Roundtable, which contains Sophie, Hort, Hester, Anadil, Dot, Kiko, Beatrix, Chaddick and Reena. And the last page!!!! Read this book. Buy it at the nearest bookstore. Like, right now. It was totally worth the money.

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Minggu, 25 Mei 2014

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This is the autobiography of the famous flier, Charles A. Lindbergh, written almost immediately after his famous flight across the Atlantic Ocean from New York to Paris on May 20–21, 1927. This historic flight by Charles Lindbergh took him from being a little known US Postal Service Air Mail pilot and made him into one of the most famous if not the most famous person in the world. The main impetus for the flight was the $25,000 Orteig Prize offered by the French-born New York hotelier Raymond Orteig. He offered the prize to be awarded to the pilot of the first successful nonstop flight made in either direction between New York City and Paris. The book, which was also soon translated into most major languages, remained at the top of best-seller lists well into 1928, with more than 650,000 copies sold in the first year, and earned Lindbergh more than $250,000. The book's great commercial success was considerably aided by its publication coinciding with the start of his three-month tour of the United States in the Spirit on behalf of the Daniel Guggenheim Fund for the Promotion of Aeronautics. The nation became obsessed with Lindbergh during the tour in which he was seen in person by more than 30 million Americans, a quarter of the nation's then population. No other author before or since ever had such an extensive, highly publicized tour that helped promote a book than did Lindbergh's "We" of himself and the Spirit during their 22,350-mile tour of the US. He visited 82 cities in all 48 states during which the nation's nascent aviation superhero delivered 147 speeches and rode 1,290 miles in parades.

Sales Rank: #1198232 in Books
Published on: 2015-09-15
Original language: English
Number of items: 1
Dimensions: 8.00" h x .85" w x 5.00" l, .82 pounds
Binding: Paperback
376 pages

About the Author
Charles Augustus Lindbergh was born in Detroit Michigan on February 4, 1902. He died on the Hawaiian Island of Maui on August 26, 1974. The author of the foreword, Myron T. Herrick, was born on October 9, 1854 in Huntington Ohio and died on March 31, 1929 in Paris France where he was serving as US Ambassador. Fitzhugh Green, Senior, an Arctic Explorer who wrote the afterward, was born in St. Joseph Missouri on August 16, 1888 and died on December 2, 1947 in Danbury, Connecticut.

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Selasa, 20 Mei 2014

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This book has received wide acclaim for its practical and reader-friendly approach to educational psychology, which demonstrates how complex psychological theories apply to the everyday experiences of in-service teachers. Coverage of educational psychology is framed so that aspiring or developing teachers can see themselves as professionals who continuously seek, find, and test better ways to help their students succeed. PSYCHOLOGY APPLIED TO TEACHING, 14th Edition, combines fresh concepts and contemporary research with long-standing theory and applications to create a book that addresses the needs of today's teachers and students. This edition also features integration of InTASC Standards, new Learning Objectives correlated with chapter headings and summaries, new Guides to Reading and Studying, new first-person accounts (Improving Practice through Inquiry: One Teacher's Story), and more.

Sales Rank: #75475 in Books
Published on: 2014-02-24
Original language: English
Number of items: 1
Dimensions: 10.92" h x .94" w x 8.48" l, .0 pounds
Binding: Paperback
688 pages

About the Author
Jack Snowman is Professor Emeritus of Educational Psychology at Southern Illinois University. He earned his Ph.D. in educational psychology at Indiana University in 1975. His research is in the area of cognitive and learning strategies. His recent publications include "Learning Tactics and Strategies" in COGNITIVE CLASSROOM LEARNING (Academic Press, 1986) and "Explorations in Mnemonic Training" in IMAGERY AND RELATED MNEMONIC PROCESSING (Springer-Verlag, 1987).

Rick McCown is Professor in the School of Education at Duquesne University, PA. He earned his Ph.D. at Indiana University in 1980. He is active in the Educational Psychology community, including leading presentations at the American Educational Research Association conference. A colleague of Jack Snowman for 25 years, Dr. McCown shares Snowman's views about the role of educational psychology in teacher education. He is an accomplished writer, with published papers (one of which was co-authored with Snowman), journal articles, and book chapters.

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0 of 0 people found the following review helpful.
Very Essential for Teachers
By Ultimate
Well written and a good reference book. If not it should be in hard cover.

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Great book with understanding Psychology within the classroom.

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Five Stars
By James Martel
I found this great for my masters course

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Jumat, 16 Mei 2014

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As Seen on Masterpiece™ on PBS®: Book 1 of the beloved Poldark series

In the first novel in Winston Graham's hit series, a weary Ross Poldark returns to England from war, looking forward to a joyful homecoming with his beloved Elizabeth. But instead he discovers his father has died, his home is overrun by livestock and drunken servants, and Elizabeth-believing Ross to be dead-is now engaged to his cousin. Ross has no choice but to start his life anew.

Thus begins the Poldark series, a heartwarming, gripping saga set in the windswept landscape of Cornwall. With an unforgettable cast of characters that spans loves, lives, and generations, this extraordinary masterwork from Winston Graham is a story you will never forget.

Season 2 of Poldark premieres Sunday, September 25, 2016 on PBS.

Sales Rank: #3590 in Books
Published on: 2015-06-09
Released on: 2015-06-09
Original language: English
Number of items: 1
Dimensions: 8.25" h x .89" w x 5.50" l, .0 pounds
Binding: Paperback
400 pages

Review
Ross is one of literature's great heroes ... [with] elements of Darcy, Heathcliff, Rhett Butler and Robin Hood -- Debbie Horsfield

About the Author
Winston Graham was the author of forty novels. His books have been widely translated and his famous series has been developed into two television series shown in 24 countries. Winston Graham was a Fellow of the Royal Society of Literature and in 1983 was awarded the OBE.

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19 of 19 people found the following review helpful.
Adventurous, addictive and wholly romantic
By Laurel Ann
At first glance, it is easy to see why some modern readers might overlook ROSS POLDARK, the primogenial novel in Winston Graham’s THE NOVELS OF CORNWALL family saga. Originally published in 1945, most seventy-year-old books are now long forgotten. Its main character is a man—when to appeal to its primary audience most historical fiction is carried by a female protagonist. The setting can be off putting too. It begins in 1783, a difficult and depressing time in English history after the loss of the American Colonies, when social, political and economic upheaval crippled the country. Fueled, by angst, obsession and regret, it is about as far removed from the refined country drawing rooms, witty repartee and genteel romance found in Jane Austen novels as it could be.

Despite these questionable first impressions, this novel and its eponymous hero have “legs.” It has never gone out of print and continues to build a fan base, mostly generated from the 1975 – 1977 landmark television adaptation, Poldark, starring Robin Ellis. And now after forty years the BBC and PBS have joined forces again for a reboot of this very popular classic starring Aidan Turner as the swashbuckling hero. With so much clout behind it, who could not be tempted to see what the original novel was all about?

Set in Cornwall, Royal Army officer Captain Ross Poldark returns home a scarred and weary soldier from fighting in the American Revolutionary War. It is a disheartening homecoming. His father Joshua has recently died, his sweetheart Elizabeth Chynoweth is engaged to his cousin Francis Poldark and his inheritance, the family residence, farmland and tin mines lie totally derelict. There does not appear to be any reason for him to stay.

The local economy does not fare much better. The tin and copper mines owned by the landed gentry are in serious decline while nouveau riche banker George Warleggan prospers by extending credit, foreclosing and building a financial empire on the hard work of others. Bonded to the land, his tenants and the hope that Elizabeth will return to him, the temptation to leave and take the easy road is not even a serious option for this Poldark. With the help of two of his father’s idle servants, Jud and Prudie Paynter and a street urchin turned kitchen maid Demelza Carne, Ross fights to rebuild his pride and his family fortune.

“Looking east, upon Hendrawna Beach, the sea was very clam today: a smokey grey with here and there patches of violet and living, moving green. The waves were shadows, snakes under a quilt, creeping in almost unseen until they emerged in milky ripple at the waters edge.” (p. 33)

Surprisingly, we are immediately drawn in by author Winston Graham’s opening chapters. His writing is succinct, lyrical and hypnotic. He throws so much adversity in our hero’s path that we cannot help but root for the underdog. We learn early on that Ross Poldark is not your typical landed gentry. He may have left for the war a young ensign with a dubious reputation, but he returned two years later a seasoned captain—a mature leader of men tempered by British injustice and influenced by the ideals of liberty and equality by the American patriots. Deeply committed to helping the local villagers, his proletariat views are not welcomed by his own class. In his mind, what is right to be done cannot be done soon enough regardless of the consequences. He abhors aristocrats and their privileged way of life—delighting in thumbing his nose at them in scandalous ways.

About half-way into the novel we realize that Captain Ross Poldark could be an iconic romantic hero to rival Mr. Darcy, Mr. Rochester and John Thornton. He’s handsome. He’s rebellious. He’s broody. He’s the dark Poldark; the one with the youthful reputation as a wastrel, gamester and smuggler clutching at his left shoulder. He drinks and thinks way too much, and his cousin Verity, the only family member to visit him, is deeply concerned for his welfare.

Ross reaches a low point in his life at the wedding of his beloved Elizabeth to his cousin Francis. “All of the time at the back of his mind had been the half conviction that somehow the wedding would not be. It was as hard to believe as if someone had told him he was going to die.” (p. 44) During the wedding banquet at his uncle’s estate, Trenwith, while a cock fight is underway in the dining room for the amusement of the guests, Ross seeks out an encounter with Elizabeth who attempts to explain her decision to not follow through with their youthful promises to each other.

“There is no time to explain everything; perhaps I couldn’t explain it if there were. But I do want you to try to forgive me for any unhappiness I may have caused you.”

“There is nothing to forgive,” said Ross. “There was no formal undertaking.” (p. 48)

This conversation, and their choices of how to deal with the situation, foreshadows their continued, tormented relationship—her fickle nature and need to please her family and society, and his poker-faced indignation against adversity. Each of these personality foibles are the backbone of this story; while there are many other characters and subplots churning throughout the novel, it all comes back to Elizabeth’s decision to marry another man and Ross’s obsession to possess her.

Author Winston Graham’s writing is superb. Fast faced, descriptive and engaging, his style is a clever blending of both literary and commercial fiction. He particularly excels at multi-character scenes where the action and dialogue joyfully skips about a room. The Truro Assembly Room ball is one of our favorites. In the course of one chapter we are introduced to Cornwall’s polished society bathed in candlelight and decked out in elegant frocks and swaggering finery. Here we witness polite conversation and scurrilous gossip, flirtations and put-downs; meet a scheming mother with five unwed daughters, a handsome captain courting an on-the-shelf spinster and our hero Ross, scandalously dancing more than two times with a young, ambitious debutante, then fleeing the scene in anguish upon the arrival of Elizabeth and Francis. “Elizabeth’s beauty struck him afresh. The fact that another man should be in full enjoyment of her was like the torture of damnation.” (p. 64) Sullen and brooding, he arrives at a local tavern to drown his sorrows in brandy and the local light skirt.

This scene is as close as we get to anything remotely resembling a Jane Austen or Georgette Heyer novel. Refined society is not where Ross Poldark chooses to spend his time, nor does Winston Graham. This story is about money, or the lack of it, the shifting fortunes and social standing of the ruling classes, and the emotional forces that drive men to achieve success and the women that they desire. Along the way we learn a lot about late eighteenth-century copper and tin mining in Cornwall while swash and buckling through fist fights, riots, prison breaks, duels, poaching and pillaging. After all, this is a man’s story and we certainly see life through Ross Poldark’s manly eyes. When he rescues thirteen-year-old street urchin Demelza, and her mongrel dog Garrick at the Redruth Fair from a gang of bullies, we begin to see that there might be a softer side. Nobly, he feeds her and offers her a ride home to her father.

“They reached a break in the track. Ahead lay the way to Illugan; the right fork would bring him to skirt St. Ann’s whence he could join the usual lane to Swale.” (p. 75)

Before they part, he generously offers her a job as his kitchen maid. She gladly accepts, if only to get out of the thrashing that awaits her at home. Unknowingly, he has reached an important juncture in his life and it will never be the same after this point. Society is scandalized by his altruistic actions, thinking he has taken her for carnal reasons, but he holds firm and pays her greedy father her annual wages. She brings life to his lonely home with her youthful energy, humor and dedication to him. It will redeem his embittered soul.

When after three years of service her father wants his daughter back, and commands her to return, Demelza must comply. Heartbroken, she is certain that Nampara is her home now and that she cannot leave Ross. She loves him, even though he has never shown her anything but the respect that a master owes their servant. Desperate to stay, her first attempt at coquetry is a painful failure. Ross is angered and confused. “He felt like someone who had adopted a tiger cub without knowing what it would grow into.” (p. 215) Concerned by her flirtations he angrily tells her,

“You know what people say of you, Demelza?”

She shook her head. “What?”

“If you act like this, what they say of you will become true.”

She looked at him, candidly this time, without coquetry and without fear. “I live only for you, Ross.” (p. 217)

If you read one historical fiction novel this year, let it be Ross Poldark. Adventurous, addictive and wholly romantic, history buffs will applaud Graham’s meticulous research, Jane Austen fans will delight in the witty repartee and humor, and romance readers will swoon over the discovery of an iconic romantic hero truly worthy of wearing the mantle.

Laurel Ann, Poldarkian.com

4 of 4 people found the following review helpful.
Ross Poldark to the Rescue
By Judge Tabor
The first book in the Poldark Series by Winston Graham does not disappoint. It's been awhile since I've taken on the reading of a saga, but after watching the Masterpiece Theater Series based on these books and being an avid reader, I was sunk beyond recall. Ross Poldark has been serving England's war machine for three years in the colonies. He returns home after suffering some wounds - one to his leg and one to his head which has left a long scar down the left side of his face. He soon learns his father has passed, his home is in shambles and the love of his young life, Elizabeth, is now engaged to marry his cousin, Francis, the son of his Uncle Charles - the elder brother of his father - and the one who inherited most of the Poldark family's wealth.

The characteristic that stands out in Ross and which runs true through the first four novels in this series (that's as far as I've read) is that he has a highly volatile and passionate nature - sometimes to a fault. He's unhappy with the ruin of the estate he's inherited, he's unhappy with his slothful servants, Jud and Prudie, and he's unhappy with the fact he has no funds to help the tenants on his estate. But mostly, he's very unhappy and angry that he's lost Elizabeth - the fact she's marrying his cousin with whom he's always had a very friendly relationship simply adds insult to injury.

This passionate nature has its benefits and the reader is treated to instance after instance of how Ross goes about investing his energy in trying to do all the good he can to those within his sphere, albeit often coming across as a ruffian rather than a gentleman. There are several examples of Ross's goodwill but the one that is spotlighted in this book and the one which will eventually forever change his life, is the day he steps in to rescue a filthy and lice-ridden girl, Demelza, from being tormented by young ruffians. At the time Demelza is 13 years old and obviously has been beaten regularly by her father as evidenced from the scars on her back. Ross simply cannot allow her to return to her family without giving her another option so he offers to hire her as a serving wench in his home. His behavior often confuses the gentry society of which he has long been a part and his rescue and offer of a home to Demelza results in sordid rumors about why he has her there but Ross simply does not care. He has his reasons and they are quite innocent - he's a rescuer pure and simple and as these stories unfold, this type of behavior will occur over and over.

In addition to Ross's tendency toward rescue, he's tied into the land and the people who've worked in the two family mines - now shut down. Much of the storyline is dedicated to the business maneuverings in which he involves himself in attempts to get one of his mines - Wheal Leisure - up and working in order to employ the area's starving families and earn some money for his own household. He has hindrances to his efforts - the rich and powerful Warleggan family of bankers - who will continue to cause him problems throughout the series. To further complicate matters is his now tenuous relationship with Uncle Charles, Francis and Elizabeth especially since Francis and George Warleggan are very close friends - with George continually manipulating Francis. The one bright shining light in the family is his sweet cousin, Verity, who is a woman of good sense who shows herself to be a true friend to Ross through thick and thin. The fact Verity falls hard for an "unacceptable to her family" captain of a packet vessel, causes ongoing difficulties for Verity throughout the course of the first two novels.

**Spoilerish**
Since this book covers four years, eventually Demelza grows up into a fascinating young woman who is generous, kind, fairy-like and very hard-working. She knows no other real love than her lord and master, Ross. He's been the only person who's ever been kind to her and she's loyal to the bone. However, when she begins to have feelings for Ross such as a young woman feels for a man, she eventually attempts to stir his interest which leads to one night together. Ross has mixed feelings about his part in the matter, but in a short time, he decides to take Demelza as his wife. This causes some major issues with the local gentry and within Demelza because both feel Ross has married beneath him. Ross, however, goes about in his customary ambivalent manner, assuring Demelza that she needs to consider herself better than she does and making no excuses to anyone for his choice of a wife. Demelza's feelings about her lack of social expertise is severely strained when Ross insists they join Francis and Elizabeth for Christmas. Amazingly, she comes through like a champ after receiving some help from Verity in social manners, a new dress and being simply "Demelza." Before long Ross realizes that Demelza has captured his heart - perhaps not quite in the manner Elizabeth still does - but enough that he brings himself to tell Demelza he loves her and indeed he treats her very well, they enjoy life together and Demelza tells Ross she is pregnant with their first child.

The setting of these books is Cornwall - an area which has always fascinated me. Should I ever travel to England, Cornwall is one of the top three places I would love to visit. I look forward to reading the next books in this series. It's obvious that Ross will continue to rescue many others even as he struggles to find his own personal happiness.

2 of 2 people found the following review helpful.
Love the PBS Series Love the Books
By Deb McNaughton
I saw the first season of the PBS series before reading the books, so my views are shaped by my admiration for the program. This book covers about a half of season one. What I appreciate most about this series is the complexity of the characters that Graham created. These people are real to me. The main characters have flaws that are believable. They struggle through difficult times and make decisions based on the circumstances of their status and upbringing at the time. So many historical fiction novels are written like costume dramas where the morays of today are imposed on a prior century. Poldark does not do that and therefore allows the reader to sink into the era and experience their struggles first-hand. It's as if Graham had actually written the books in the 18th century. At its heart, it's a love story and entails many different relationships woven together. There's nothing sappy about the story - every morsel of happiness is hard won. If you watch the TV series, the books follow the story fairly closely with more detail in the book. You should read this book with the expectation to read the entire series, because the story ends abruptly and without a real finish. I've now read several in the series and find they all end this way. You have to be in it for the long-haul. BTW, I listened to this book on audio and the reader is very good. While this first book is read by a man, there is a female reader for book 2 (Dimelsa). It took me by surprise at first, but she was very good, too. The male voice comes back for book 3. If you are an audio reader like me, you will like the presentation.

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Sabtu, 31 Mei 2014

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Rabu, 28 Mei 2014

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Selasa, 27 Mei 2014

Download Summers Under the Tamarind Tree: Recipes & Memories from Pakistan, by Sumayya Usmani

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Minggu, 25 Mei 2014

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Selasa, 20 Mei 2014

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Jumat, 16 Mei 2014

Get Free Ebook Ross Poldark: A Novel of Cornwall, 1783-1787 (The Poldark Saga), by Winston Graham

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